Pathway Studios

 ( Recording Studios In London ) 

Mark Bedford of Madness recallsBefore we was we: the making of Madness by Madness that "It was a really thin building – you couldn't really call it a house – on Grosvenor Avenue, close to Stoke Newington. The studio and control room were on the ground floor, then these rickety old stairs led to the office up top. The studio had that old-fashioned aerated board with the holes on the walls, so it was very fifties." Lee Thompson of Madness recalls that "It was just down a cobbled back alley. Unassuming, nothing flash, nothing big; just an oversized garage with a couple of speakers and soundproofed rooms. It was very rough and ready."

Working at Pathway as Stiff Records' in-house producer beginning in 1976, Nick Lowe produced such notable recordings as The Damned's debut single "New Rose", the first UK punk rock band single, released in October of that year,Griffin, Jeff, " The Damned ", BBC.co.uk. Retrieved on November 19, 2006. as well as their follow-up debut studio album, Damned Damned Damned. Other artists who made early recordings with Lowe at Pathway Studios included Madness, Elvis Costello, Squeeze, The Count Bishops with Mike Spenser, The Cheap Things, The Cannibals and John Foxx.

On 12 February 1977, just a couple of weeks before the band's debut live performance, the Police recorded their debut single, "Fall Out" at Pathway with a budget of Pound sterling150.Sutcliffe, Phil & Fielder, Hugh (1981). L'Historia Bandido. London and New York: Proteus Books. . Page 41. In July of the same year, Dire Straits recorded the demo of "Sultans of Swing", with the song's subsequent popularity leading to the band signing a recording contract with Phonogram Records two months later. Also in 1977, Sham 69 recorded their first single "I Don't Wanna", produced by John Cale.

John Cleese used Pathway to record Voice-over for his business training films, and in 1981 the studio was featured in the Madness drama-documentary Take It or Leave It.